A blog specialising in heavy metal album reviews and interviews.
Wednesday, September 13, 2006
Dark Tranquillity Interview
Head Inc. - Demons
Demons
Faultline Records/MGM Distribution
Lostprophets – Liberation Transmission
Liberation Transmission
Columbia/Visible Noise/Sony BMG Music Entertainment
Saturday, September 9, 2006
Dark Tranquillity Interview
Wednesday, September 6, 2006
Left Alone - Dead American Radio
Dead American Radio
Hellcat Records/Epitaph/Shock
Wednesday, August 30, 2006
Terror - Always The Hard Way
Always The Hard Way
Trustkill Records/Roadrunner Records/Universal Music Australia
On The Last Day – Meaning In The Static
Meaning In The Static
Victory Records/Stomp
Sodom - Sodom
Sodom
Steamhammer/SPV/Riot!
Terror – Always The Hard Way
Always The Hard Way
Roadrunner Records/Universal Music Australia
Wednesday, August 23, 2006
Eric Bibb – Livin' Lovin' & Doin': A Retrospective
Livin' Lovin' & Doin': A Retrospective
Manhaton Records/ABC Roots Music/Warner
Satyricon Interview
Wednesday, August 16, 2006
Avenged Sevenfold - City Of Evil
City Of Evil
Warner Music Australia
Kreator Interview
Wednesday, August 9, 2006
Municipal Waste - Hazardous Mutation
Hazardous Mutation
Eachache Records/Shock
Municipal Waste Interview
Stone Sour Interview
Wednesday, August 2, 2006
Stone Sour – Come What(ever) May
Come What(ever) May
Roadrunner Records/Universal Music Australia
Strapping Young Lad - The New Black
The New Black
Century Media Records/Stomp
Voivod Interview
Wednesday, July 26, 2006
Underoath - Define The Great Line
Define The Great Line
Tooth & Nail Records/Solid State Records/EMI Music Group
Wednesday, July 19, 2006
36 Crazyfists - Rest Inside The Flames
Rest Inside The Flames
Roadrunner Records/Universal Music Australia
Wednesday, July 12, 2006
Queensrÿche – Operation: Mindcrime II
Operation: Mindcrime II
Rhino Records/Warner
Sunday, July 9, 2006
Voivod - Katorz
Katorz
The End Records/Stomp Records Distribution
Canadian avant garde act continue the rock progression.
Although having never quite broken through to the mainstream in their twenty year plus career (Although 1989's “Nothingface” came close), long running Québec (Canada) based act Voivod have earned a reputation as one of the metal scene's more experimental (At times avant-garde) and different sounding progressive/alternative metal hybrid acts on the metal scene, which in turn has had a profound influence over a number of artists throughout the years. After a somewhat difficult stage of their career with bassist/vocalist Eric Forrest fronting the band (Who, along with guitarist Denis 'Piggy' D'Amour and drummer Michel 'Away' Langevin, managed to produce two full length albums and a live album), vocalist Denis 'Snake' Bélanger announced his return to the group in 2001, along with the addition of ex-Metallica bassist Jason 'Jasonic' Newsted, with 2003's Voivod album, giving the band some well overdue attention.
Three years have since passed, and while Voivod continued work on their long awaited follow up album, tragedy struck when D'Amour finally succumb to colon cancer (Which he was diagnosed with two years prior) in August 2005. Prior to his death, D'Amour managed to record enough material for two albums on his laptop, with the remainder of the band (Along with co-producer Glen Robinson) faced with the challenging task of bringing D'Amour posthumous vision to life.
Voivod's eleventh studio release “Katorz” doesn't stray too far from the direction the band last left off with Voivod, with all of the album's ten cuts relying heavily on melody (Which first started to appear on 1991's “Angel Rat”), all the while pushing ahead with their forward thinking progressive trademark sound. The riff led “The Getaway” (Lyrically based around the war in Iraq) is a fantastic opener that showcases D'Amour unique approach to his six strings, while Bélanger is in great form, with his performance injecting a slight punk vibe into proceedings.
The crawling “Dognation” and “After All” are classic latter day Voivod sounding tracks with their fractured tempos and Bélanger's monotone snarl, while the infectiously rocking “Mr. Clean”, the politically minded “Odds & Frauds” (Which, like Nirvana's “Come As You Are”, reminds me Killing Joke's “Eighties”) and the distorted “Silly Clones” effectively capture Voivod's split alternative/progressive/melodic sound best. The driving “Red My Mind” (Which is the album highlight), the metallic “No Angel” and the anthem based “The X-Stream” all add a touch more aggression to the album, leaving the rhythmic “Polaroids” (And the uncredited last minute of acoustic manipulation) to finish things up.
Given the difficulty in putting together the album (The absence of D'Amour, and the challenge set down for Robinson in ensuring that he sound like he was there), “Katorz” is another strong album from Voivod, and a more than worthy follow up to their self-titled effort of three years ago.
For more information on Voivod, check out - https://www.facebook.com/Voivod.
© Justin Donnelly.
Wednesday, July 5, 2006
Queensrÿche Interview
Wednesday, June 28, 2006
The Bouncing Souls - The Gold Record
The Gold Record
Epitaph/Shock Records
